The New Astronomy

The speaker is Katharina Kepler (1546–1622), mother of renowned astronomer Johannes Kepler. In 1615, she was accused of witchcraft (source). 


This, you say, is the universe: one flute, two violas, one horn, two cellos

And around the Earth, between planets, some force

An angle, some flesh but the flesh of music, an x

Lulling all the worlds into the gentlenesses of cows. 

Much talk of magnets. Magnets, water, brooms, light, the light that can be gathered like breath

In lenses, in hands, in mirrors, and x might act as light does

Passing through spaces not really present, not being present, having no present beingness, not being in places, not being in places, not being in places, not being in places o but between, not being between places, not being between places but, but, still, yes, although, hitherto its wherewithal keeping apart dodecadragons etcetera, and so on, so to speak…

I have almost understood you — once — that night was bright

Bright as befits a place with a desire in it — and —

And the wind was sharp and full — it weeded and raked

And whistled through the streets far below and the fields

My neck and your face, for anything, to stop it or feed it. 

Then, we both looked up —

A quiet fire, a stony fire, a thistle caught ember

When I was asked to confess 

Again and again the fire was behind me.

Confess I entered barred houses the calf ridden to death

The skull the sexton the concoctions the bent girl I was 

Shown long dull entrails on paper. Forced to read them.

But how could I?

The lord’s word will be apparent to those of the lord.

I said from the paper, The lord’s words will be apparent only to those of the lord.

I was shut in oak.

I smelt my insides.

I was shown each glittering tooth of my executioner all the possibilities of my body

I forced my knees

To my chest my feet 

Into corners my eyes

Into knees till I saw a red that was not 

Red till I was a place on the Earth, one crammed point on the Earth.

A place on the Earth was named Katharina the wretched 

Desire filled Katharina and she became 

Heavy the tongue of my grace or my desire 

She stammered against the red wall of my desire 

The red roof of my grace — my lord 

Peel each vein from me —

Find that despite me I have been, been yours, my lord, my lord 

Yours all throughout your poured years, your hours

How much I’ve wept I weep no longer

Among the years how long the hour the life

How long made with what alchemy craft

That only cowed, crushed, I recognize —

Still — but been yours this throat

Yours this heart

My lord with a knife

I cut the meat given. I drink spit.

I add the hours to my voice

To voices of worms nettles burdock hemlock  

Cuckoos my aunt stewed up on the stooped bluff 

A spruce in the fire swung like a door the wind that yanks its crown is not the wind that plays

In the fields ago —

Away from the Empire — letters come and go slowly and at heavy expense.

Scurrying across the papers, the maps only murmur to me, and only in Benedict’s hateful spit.  

No longer my fields, my nettles, attars, my acids —

No longer my Leonberg.

Here where the sky is the wormy pink of a scraped throat, the wind is flying away 

Like my voice in search of some anger, my voice flies away 

Like the wind looking for a word, away into what is this little that is

Which has the sun for the center, you say, a center, the sun borrows from no central fire but is a borrower nonetheless, yes, like everything else, which means that I am completely within my rights to write for a telescope, or some lenses at —

Today is far, bright.

I am a blister in a blue mouth.

I go to the fields to suckle an ire.

O, between my hands and the vast light

Only dandelions clotting in light raw as milk

The embracing light, the wrinkling light —

In my fields, I walked, I plucked 

My herbs said the words of my herbs as I pluck hold weigh prove

Dissolve Barwinek Bobownik through the vastness 

Between my hands

Through all the places on the Earth

The wind flies away — something sung — is that what he meant, you, I mean —

All the hours on the crammed Earth —

Oaks bright in the light between them.

A poppy in the sun pants faster —

I count each tree.

One, two, beyond all the way all the way there—

Now I am less afraid, but why of 

What light netting the trees

Turning, molding, separating, making each tree, making each shape an Each, a One

One Oak. Thick, blotted, — an oak weighs what, how?, four — baffling

Where is my anger?

Where is Katharina?

You might know —

You who have been you 

You who have been — who will be my son

Have you understood me?

I wipe my face. 

Tonight I will press eyelashes between the pages of your books

Johannes — Johannes! —

You are my son —

You write letters to a man in Italy —

 

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Notes:

The line, "letters come and go slowly and at heavy expense," is a direct quotation from Koestler, Arthur. The Sleepwalkers: A History of Man's Changing Vision of the Universe. London: Arkana, 1989.

ξ

Varun Ravindran was born and lives.